Reaping excellence

I came across a little maxim yesterday that got my mind going, so I wanted to share.

“Sow a thought, reap an action; sow an action, reap a habit; sow a habit, reap a character; sow a character, reap a destiny.”

There is also a quote that pairs nicely with this maxim:

“We are what we repeatedly do. Excellence, then, is not an act, but a habit.

– Aristotle

What is it that you repeatedly want to do? If you did it often enough, do you believe you would truly develop excellence in that habit?

Perhaps you should ask a related question: if what you are doing now isn’t something in which you want to develop excellence, what do you repeatedly think about? Once you have an idea in mind, you can then apply it to the maxim.

For example, let’s say that a person is constantly thinking about art, but only thinking, never creating any herself. We’ll start there.

“Sow a thought…” she is constantly thinking about and admiring the artistic work of others.

“Reap an action…” the aspiring artist decides to take drawing lessons and vows to draw a little bit every day, no matter how small it might be.

“Sow an action…” drawing each and everyday becomes second nature.

“Reap a habit…” she no longer even thinks about if she will draw today; the only thought on her mind is what to draw. A habit is developed.

“Sow a habit…” drawing has become second-nature to her now. It’s as habitual as brushing her teeth or eating.

“Reap a character…” she has become, intentionally or not, an artist. It is now who she is, a fundamental feature of her character. She is now one of the people she once admired.

“Sow a character…” you can see the rest. Her destiny is whatever she decides to make it at this point. She has already developed the skills and habits needed to carry her far down the path of artistic success, whatever she decides that looks like for her. Perhaps it is a career in art, or perhaps it is just a wonderfully enjoyable hobby. But it is now who she is.

So, what is it about which you constantly think? How can you turn those thoughts into action, and then practice those actions often enough until habits form and a certain character you want develops?

“We are what we repeatedly do…”

Decide and act on that in which you strive to be excellent.

Luck happens

Sometimes, it comes down to sheer luck.

You’re sitting in the right booth, reading the right book, and someone notices.

She comes over and asks what it is that you do; you proceed to tell her how you help people. Eyes light up, connections are made, recommendations are given to you about who else you can help with your craft.

What a lucky meeting!

And yet…if I hadn’t been working so diligently for months on my new endeavors, this lucky encounter never would have occurred. Had I been sitting in the booth watching Netflix, she would have walked right past me.

So yeah, luck happens, but it still pays to prepare and practice your craft so that you are ready when the lucky moments occur.

I’ll take slow, persistent effort sheer luck any day.

Working your brain

I am exhausted. Truly and totally exhausted. This week has seen numerous late nights, one of which did not end until 5am the next day; it has featured little sleep, long days at work, and even longer days at home in my personal time. That last bit is of my own doing.

Reading – deep reading with the goal of analyzing and validating information, premises, and arguments – is like strength training for the brain. Combined with the mental exercise required to function in a typical day job, it is easy to overwork this organ.

It’s pretty common knowledge today that you shouldn’t strength train 7 days a week; strength training should be interspersed with active recovery, lighter exercise of different types, rest, recuperation, and restoration. You also need to get plenty of sleep so that your muscles can repair themselves.

The brain is no different; strenuous reading and self-education combined with long, stressful days at work, with a little sleep deprivation sprinkled in, makes for a drained individual who will not be able to comprehend or retain much of the information being studied.

As important as self-improvement and mental growth is, it is as important to make sure you are approaching it the same way you approach training your body. Take the time to rest, especially if you are just starting out on a course of rigorous reading or coursework. Perhaps only read for 30 minutes a day, three to four times a week, much like a novice would approach a new exercise regimen. You can always increase the length and frequency later. Just like exercise, the habit of mental growth and development is more important in the beginning than how hard and how hard you push yourself.

Study hard, then rest hard. That’s what I’m doing for the next few days.

Solve interesting problems

One of my passions, and pain points, is the state of modern education in the US. Everyone knows that it’s not working well: children are leaving schools, both public and college-level, less prepared for careers than ever before.

The reason is simple: schools are operating on outdated modes of education in which students are taught to sit still, obey, memorize lots of information, regurgitate it on a test, and then promptly forget everything they just memorized.

The creative ones, the wiggle worms, speakers, artists, drawers, engineers – they are all stifled in the name of obedience. Yes, I realize that to have 35 kids in a classroom, you can’t have them all doing their own weird and wacky things, but answer this question for me:

When was the last time you got paid to regurgitate information on a standardized test?

What is school for? Seth Godin asks this question often. I believe the answer should be to educate and prepare children and young adults to create, innovate, contribute, and solve interesting problems for society. It is not about asking, “Will this be on the test?”

None of the “tests” you face in real life are multiple choice, with answers you found in a textbook and memorized only to forget them a hour later. When an irate customer is standing in front of you, there is no clear, right answer. There is an answer that might make things better or not; it’s up to you to figure that out.

When a new idea is dropped on your desk by a leader, you have to collaborate with your team, find and utilize resources, synthesize information, and come up with a solution for the project. How is memorizing a bunch of unrelated information that is kept separate from other information in the spirit of division called “subjects” helpful in this regard?

Why not instead teach people how to solve interesting problems? Teach how to find answers to questions on their own, how to create connections between information across varying fields and periods of time, how to think, and more importantly, how to learn when formal education stops.

Greg McKeown triggered this train of thought for me in his book Essentialism when he wrote the following:

“What if schools eliminated busywork and replaced it with important projects that made a difference to the whole community? What if all students had time to think about their highest contribution to their future so that when they left high school they were not just starting on the race to nowhere?”

Greg McKeown, Essentialism

The Industrial Age in the United States has ended; factory work is quickly becoming a thing of the past, as much as parts of our culture want to hang on to it. Our schools cannot continue teaching in the same mold as as they used to, when everyone eventually went to work on an assembly line. Employers no longer need cogs in machines; they need creative thinkers and problem-solvers equipped with the skills of communication, collaboration, analysis, leadership, and learning (yes, it is a skill).

In short, we need to teach people how to solve interesting problems.

It may not feel like much

It may not feel like much when it’s all you can physically do.

I’m speaking, of course, on producing, practicing, or creating when there just isn’t enough time in the day to get much of anything done. On those days, all you can do is all you can do.

And all you can do is good enough.

Write a few sentences instead of fretting over not writing a chapter.

Practice your instrument for 15 or 20 minutes instead of saying, “screw it” because you didn’t master an entire piece today.

Draw a doodle comic, not some magnificent portrait.

Go for a 10 minute walk rather than beating yourself up over the fact that you didn’t spend an hour at the gym.

Incremental improvement. Streaks. Baby steps. 5 minutes here; another 8 minutes there. This is how progress is made.

Change your mindset; realize that you are building mental fortitude and creating habits when you do just a little something each day rather than adopting an all-or-nothing mindset.

You might feel like you suck. You don’t. You’re doing a heck of a lot better than the person that decided not to show up today.

And if you can’t do anything at all, wipe the slate clean and show up again tomorrow.

The right place?

I’ve had this nagging feeling in the back of my mind for years now – a feeling that I have settled in the wrong place for what it is that I want to do. After reading through part of Jeff Goins’ Real Artists Don’t Starve, I voiced those frustrations earlier today to my peer group (check them out here). Upon further reading, and some insight from my peers, I’ve had something of a revelation.

“If you want to be creative, go where your questions lead you.”

Louis L’Amour

Most of the questions and ideas that I want to follow can be started right where I am. It is not a question of physical location; it’s a question of people.

An issue that myself and other Creatives seem to experience often is that we isolate ourselves. It isn’t that there are no creative areas or places around; it’s the fact that we don’t go to these places. We don’t automatically surround ourselves with other creative and artistic problem-solvers. We simply try to do things on our own.

The “right place”, then, maybe isn’t a new location…

Perhaps it is just finding the right group of people.

So for all of us Creatives out there, let’s start going to the places where things are happening. If nothing is happening, then make something happen.

Go start something, somewhere, with someone.

Find someone who wants to start reading the Great Books with you. Go old-school and have a pen-pal correspondence relationship with this person so that your brilliant insights are captured for posterity.

Start a band, even if all you do is practice some different ideas together. You may never play a show or go on tour, but that’s not the point. Music is meant to be made with other people, and we need to be surrounded by other people.

Get a few friends together every week at a coffee shop or library, and discuss projects that you are working on, ideas you have had, things you have written, or art you have created.

My problem is not where I live – it is that I have isolated myself from the others who are already doing the work. I need to find the tribes of which I want to be a part and engage with them.

I suggest you do the same.

*Disclaimer: some of the links above are affiliate links which means I get a small payment if you purchase something through them. Just gotta say it.

Be careful what you share

We each have at our fingertips an unlimited amount of information that continues to grow at an unparalleled pace. This means that with each passing day, it gets harder and harder to check the validity of what we are seeing and reading.

This is especially true in today’s immensely divided political landscape, with more and more messages, rhetoric, memes, and articles being published with the sole purpose of further dividing the nation. Someone creates something or bends the truth to suit their worldview, and then it is published to the world. Then another person shares it, and another; then perhaps another person adds something or tweaks it even further, and soon you have a post that is highly biased and quite possibly untrue.

Be careful what it is that you post on your social media accounts; before you do, do just a bit of research to try and find the truth of what you are sharing.

If it becomes too hard to figure out whether or not what you are posting is true, that might be a hint that you shouldn’t post it…

It’s never too early…

It’s never too early to declare to the world who you are.

If you are writing and want to be a writer, go tell people you are a writer. Put it in your bio; put it in your social media description. The same goes if you play music and want to be a musician, or if you draw and want to be an artist.

“What we believe about ourselves has a way of coming true…”

Jeff Goins, Real Artists Don’t Starve

The narrative that we tell ourselves, if said often enough and with enough emphasis, is more likely to become true. In Jeff Goins’ book, he retells a conversation that he had with author Steven Pressfield. He asked Pressfield, “When does a writer get to call himself a writer?” Pressfield answered, “You are [a writer] when you say you are.”

Tell yourself what you want to be. Then go tell others.

Decide.

Then, if you later find that you no longer want to be what you say you are, decide to be something else.

After that, declare it to the world.

It’s never too early to tell the world who you are.

Stop telling people to avoid the arts

How many of us have told someone that she should choose a real major, one that is applicable in today’s job market, rather than pursue something creative like art, music, or literature?

(RAISES HAND)

Why do we do this? It is well-meaning enough, I suppose: we don’t want them to struggle financially, we don’t want them to fail, we don’t want them to get hurt because it is so hard to live as an artist…

Let’s just stop, shall we?

What if the person to whom you gave this advice is actually quite talented as a writer? What if she has spent so much of her free time drawing, painting, and sculpting that she has become a fantastic artist? Do you really feel comfortable telling her that she should go get her MBA, work in middle management, collect her benefits, get the 401(k) match, and just worry about “all that artsy stuff” in her off hours, because she can’t make real money in the arts? Why is that good advice (especially when that last claim is bogus)?

Handle Money. Fail often.

Why don’t we teach her instead? Let’s make sure that we are teaching our children how to handle their finances, how to live on a budget, spend less than they make, save money, make money, and how to avoid debt at all cost (this is the real reason so many of us starve these days). We should most definitely teach her not to go $100,000 in student loan debt for her MFA in painting, but that does not mean we should tell her not to pursue her passion – those are not the same thing.

At the same time, we should also be teaching her to fail and fail often. Have her start trying to sell her art online. That doesn’t work? Should we tell her that she should quit and go get a real job? No! You don’t tell a child to stop trying to ride a bike because she fell off and scraped her knee; you tell her to get up and encourage her to try again.

Do the same thing with your creative child or friend. Encourage her start teaching other people what it is that she knows. She can make online videos of her work so that others can see it and her ideas will spread. Find whatever avenue works for her.

Encourage

There has never been a better time to be an artist than today – the market is wide open, the possibilities are limitless. You can be an artist in anything at which you are talented; it does not have to be a traditional “art”. Let’s focus on teaching our family and friends the right skills they need to survive and thrive – let’s teach creativity, leadership, personal finance, marketing and storytelling. Then let’s send them forth to pursue that which they most truly enjoy.

If we can teach them to handle money well, and to learn and grow from failure, they will all be fine.

We will all be just fine.

Decisions

Sometimes you agonize over making a decision, only to have that decision taken out of your hands. There may be a sense of relief when it happens, but all too often, that relief turns to regret.

The questions start boiling up: Why did I not jump on the offer when I got the chance? What held me back? Why was I so afraid?

Are you guilty of “paralysis by analysis” when it comes to making life decisions? I most certainly am.

I have lost so many opportunities over the years simply because I waited too long to decide. I sought out advice, weighed the pros and cons, did research…the problem is I never took action when it was time to decide. I was too afraid of failure, of taking the wrong road, of looking back at the possibilities I may have missed because of what I chose.

So I didn’t choose, and that in itself was a choice. It was a choice to have someone else decide for me.

Sometimes the decision is taken out of your hands. You have to learn from the experience. The question is not, “What could I have done differently?”

The question becomes…

What are you going to do now?